内容摘要：“I think there is a shift. I think people are starting to connect the dots,” she said, while noting that the bulk of Israeli society hasn’t changed. “I hope that it will only grow.”

“I think there is a shift. I think people are starting to connect the dots,” she said, while noting that the bulk of Israeli society hasn’t changed. “I hope that it will only grow.”

, have resigned in part over a decision to use IRS data to help deport undocumented immigrants. For departing IRS workers, “The Accountant 2” might just be the most cathartic movie of the year.“The Accountant 2,” an Amazon MGM Studios release that opens in theaters Thursday, is rated R by the Motion Picture Association for strong violence, and language throughout. Running time: 125 minutes. Two and a half stars out of four.

Some bio documentaries are carried mostly by the reflective, archival footage that send you back to the subject’s heyday.But in Matt Wolf’s “Pee-wee as Himself” — as wonderful as much of the archival stuff is — nothing is more compelling than whenReubens sat for 40 hours of interviews with Wolf. His cooperation is clearly uncertain and sometimes strained in the film — he stopped participating for a year before talking about his infamous 2001 arrest — and his doubts on the project linger throughout.

Reubens would rather be directing it, himself, he says more than once. The man many know as Pee-wee Herman is used to controlling his own image, and he has good reason for being skeptical of others doing so. But beyond that tension over authorship of his story, Reubens is also delightfully resistant to playing the part of documentary cliche.“I was born in 1938 in a little house on the edge of the Mississippi River,” he begins. “My father worked on a steamboat.”

Talking heads have gotten a bad rap in documentaries in recent years, but in “Pee-wee as Himself,” nothing is more compelling than Paul Reubens simply sitting before the camera, looking back at us.

Pee-wee may be iconic, but Paul Reubens is hysterical. And Wolf’s film, with that winking title, makes for a revealing portrait of a performer who so often put persona in front of personhood. In that way, “Pee-wee as Himself,” a two-part documentary premiering Friday on HBO and HBO Max, is moving as the posthumous unmasking of a man you can’t help but wish we had known better.We’re nearing the end of Phase Five of the Marvel Cinematic Universe, with predictable and underwhelming returns. “Captain America: Brave New World” feels like it’s just treading water, wasting

in his first cinematic outing as his “Hamlet”-like Captain America.The story by Rob Edwards, Malcolm Spellman and Dalan Musson gathers familiar Marvel characters and blends them into a White House conspiracy-meets-international violent face-off in the Indian Ocean. Only Marvel in Phase Five could make that boring.

It lifts from “The Manchurian Candidate” and “Top Gun” and even pointlessly steals its title from Aldous Huxley. It cannibalizes from other Marvel movies, like the addition of a substance called Adamantium, much like Vibranium from Wakanda. There is asong heard at the climactic end, but it’s not new; it’s from 2014.