内容摘要：Addressing the boy's mother, she said: "I can't imagine how upsetting this is for you."

Addressing the boy's mother, she said: "I can't imagine how upsetting this is for you."

Plenty tell me the grumbles about his approach to running the party ran well beyond the gripes you can find in any workplace about the bosses.Farage and the parties he has led – the UK Independence Party, the Brexit Party and Reform UK – have

of bust ups, fall outs, sackings and resignations.Douglas Carswell, Diane James, Patrick O'Flynn, Godfrey Bloom, Suzanne Evans, Ben Habib, Rupert Lowe, the list goes on and on. And now Zia Yusuf.The big reason why this latest departure really matters is it is a stark reminder that a central ingredient in the rapid scaling up of Reform UK is going to be the hiring of staff who stick around long enough to help turn it into a potentially election-winning machine.

The party is attempting something utterly unprecedented and while the force of Farage's personality has and can take them a long way, bringing in a range and depth of expertise at least some of whom can last the course will be central too.Farage has never managed that before.

And right now, he has to find himself a new chairman.

to keep up with the inner workings of Westminster and beyond.The painting made its debut at the Royal Academy in 1793, three days after Turner's 18th birthday, before being bought by Reverend Robert Nixon, a customer of his father's barber shop.

Reverend Nixon's son inherited the painting after his death, Mr Gascoigne said, adding it then fell "into obscurity" having last been exhibited in Tasmania, Australia, in 1858.Mr Gascoigne said: "Bristol would have been a very natural place for a young artist based in London to get to relatively easily and relatively cheaply, but would provide him with the sort of dramatic, sublime, picturesque landscape that he was seeking."

There was early mention of the painting in obituaries of Turner's life but for at least a century it was mistaken for a watercolour, meaning it was missing from the catalogue of his exhibited oil paintings.Up until the discovery last year during a restoration project, experts believed Turner's earliest exhibited oil was the Fisherman at Sea painting.