内容摘要：The 11 tracks that make up “More” are a combination of new and old songs written across Pulp’s career. The late Mackey has a writing credit on both the sultry, existential “Grown Ups” originally demoed around “This Is Hardcore,” and the edgy disco “Got to Have Love,” written around “the turn of the millennium,” as Cocker explains. “I did have words, but I found myself emotionally unable to sing them.”

The 11 tracks that make up “More” are a combination of new and old songs written across Pulp’s career. The late Mackey has a writing credit on both the sultry, existential “Grown Ups” originally demoed around “This Is Hardcore,” and the edgy disco “Got to Have Love,” written around “the turn of the millennium,” as Cocker explains. “I did have words, but I found myself emotionally unable to sing them.”

The officer, identified in legal documents only as Florian M., was initially detainedpending further investigation. He is expected to face trial in the third quarter of 2026, the prosecutor’s office said.

Merzouk’s family and lawyer did not immediately respond to requests for comment on the announcement.The teenager was shot during a traffic stop in Nanterre. Video showed two officers at the window of the Mercedes the youth was driving, one with his gun pointed at Merzouk. As the car pulled forward, the officer fired once.After the killing, Nanterre prosecutor Pascal Prache said his initial investigation led him to conclude that the officer’s use of his weapon wasn’t legally justified.

Protests over his killing spread around France and some turned violent, with sThousands of people were arrested as the government

response to quell the unrest, and hundreds of people were injured. In related protests in the overseas territory of French Guiana in South America, a 54-year-old died after being hit by a stray bullet.

The reaction to the killing was a potent reminder of the persistentTrujillo, who typically avoids watching replays of his performances, found himself drawn in by the immersive experience of their show, which included interviews and close-ups of fans. He said the technology amplifies the energy of a live performance at a time when that excitement can feel diminished.

“For a lot of bands, especially in the hard rock genre, it felt like it was disappearing,” he said. “To me, this really brings it back and relevant again. It shows you the strength in the performance and the emotional attachment to the fans.”While virtual reality headsets offer a personal window into performances, venues like the Sphere and Cosm are expanding these experiences to entire crowds.

In their own way, both are redefining the possibilities of live performances and shared experiences.“It’s virtual reality without the glasses,” said Baz Halpin, the CEO and founder of Silent House Group, who produced and designed the Eagles’ residency at the 17,500-seat Sphere.